Congolese Soukous Beats, Spirited and Dance-Friendly - New York Times
Tuesday, 11 November 2008

"My boss is coming!" Such was the assurance given by one of the singers of Wenge Musica BCBG, the acclaimed Congolese soukous band. It hadn't taken the stage until after midnight on Saturday at the Fillmore New York at Irving Plaza and by this point the band had already been playing for 45 minutes. A little while later the band's flamboyant and avuncular frontman, J. B. Mpiana, strolled out midsong, as is his custom, and jumped right in.
Official Website

JB MpianaThe virtuoso outfit played songs that were long and intricate, with high-pitched, tightly packed guitar melodies, elaborate drumming and a wall of vocals that drove the music even when Mr. Mpiana stepped away from the action to catch his breath, as he did regularly.
"Enchanté de vous voir," he said warmly, from behind the microphone that had awaited his arrival.
Mr. Mpiana is a star of the modern branch of soukous known as ndombolo, one of the genre's more spirited, dance-friendly wings. This was his first New York appearance with this band, which he has been fronting for a decade.  
The dozen-plus band members and singer-dancers who joined him were all wearing matching T-shirts that read, "Peace Grows" (though paradoxically one of the singer-dancers, also wore a rhinestone-studded pistol-shaped belt buckle).

 

J. B. Mpiana and Wenge Musica BCBG Irving Plaza on Saturday night.

When Mr. Mpiana sang, he had a lovely tenor, hitting some phrasings aggressively and lingering over others. But this was an exceedingly decentralized show, with different singers and musicians taking the spotlight for a time, and then ceding it.
    All in all this was light and limber music, played with a casualness that belied its complexity. Often the band brought a song to an apparent stop, only to pick it up again a beat later. One dancer chewed gum in time to the beat. And most songs were performed with extravagantly coordinated movements. In one, most of the people onstage, Mr. Mpiana included, formed a line, then danced for four bars each before passing off the rhythm to the next person, an act of physical comedy as much as dance.
    

Wenge in AtlantaSeveral people in the smallish but excitable crowd moved along with the performers. Many of the men wore expertly tailored suits with pocket squares; many women bopped around in shiny high heels. And they returned the good cheer to the performers.
More than two hours after the band began, a stream of well-appointed men made their way from the floor to the stage to offer cash tributes to Mr. Mpiana. One young man in a spectacular gray-and-black blazer began peeling off bills from a thick wad and slapping them against Mr. Mpiana's chest, one after the next, until it was he himself who let out a sigh of exhaustion.

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Macheso rocks Dallas -Review
Tuesday, 11 November 2008

 Just announced - BCBG-JB Mpiana Cancels remaining shows.
 All pictures by Bongani Rutunhu
Alick Macheso and his supporting band, the Orchestra Mberikwazvo left a mark at Murphy's Place in Dallas where talent and genius brought out the best of Macheso and his group before an adoring crowd. The modest sized stage at Murphy's place was able to support the entire crew but offered limited space for the dancers that gyrated, jumped, slued and performed gimmicks that left the cheering crowds crying for more. The highly anticipated Macheso's first tour of the United States seemed to be the peak of his world outreach considering his humble beginnings in Zimbabwe where he performed to audiences in farming communities. Macheso who was brought to the United States by Derrick Shonhiwa of
Takaday Productions, with the Dallas event organized by Clive Chinzou of Africa Rhythms.  Clive and Derrick are a pair that has fought all odds to get Macheso and The Charambas tour the US - both groups for the first time, this pair toiled with the tedious details of their trip, their stage preparations and welfare on their sojourn in the United States did not disappoint. The group belted out all their hits and the revelers that packed the venue sang along in sync. The two dancers showcased their Razor Wire dance to loud cheers. Macheso who has a rare talent to strumming the bass guitar while simultaneously dancing and churning out vocals clearly showed the audience why the title legend befits his contribution to the entertainment industry 
Franco - intrinsic dancing routine.He effortlessly played the bass guitar while it was held by another band member at a horizontal slant and even used his chin instead of fingers to pick up the cords. Some audience members got carried away such that they jumped onto the stage to dance along with the band members. The band members accommodated the concert goers that danced on the stage. While it might sound an exaggeration that a guitar can be made to talk and sing, Macheso's attempt to make the guitar sing was within reach, at least he proved that a guitar could be made to wail in the same manner a keyboard does. The outfit had guitars and drums with no congos, keyboards or horns. But still the music beamed from the tiny stage to make many dance for a four-hour stretch into the wee hours of Sunday. Many hardworking artistes can complete a two hour concert and Macheso's four-hour gig was a rare feat considering the physically demanding dance by his band. 
 
Roll Call - Body Parts ParticipateMacheso an affable man who was born in 1968 to Malawian parents is multilingual and can play the rhythm guitar with the same skill as he does the bass. He sang hits from Magariro, Simbaradzo, Zvakanaka Zvakadaro, Zvido Zvenyu and Ndezvashe. He also danced and he definitely offered the crowd more than what they had paid for. He offered his whole self and he proved to be a quintessential entertainer. Alick Macheso is soft-spoken and exhibits humility. His demeanor is friendly and lot of his fans easily approached him for photo ops. There is no doubt, circumstances allowing that Macheso and Mberikwazvo would love to treat their fans to another show in the nearby future. - Africa Rhythms

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26 member Wenge Musica BCBG-JB Mpiana to rock Dallas after Zimbabwe's Macheso.
Friday, 07 November 2008

JB Mpiana w Wenge in Dallas
 Just announced - Wenge Musica BCBG-JB Mpiana in Dallas 29 Nov 08
 All pictures by Bongani Rutunhu
Alick Macheso and his supporting band, the Orchestra Mberikwazvo left a mark at Murphy's Place in Dallas where talent and genius brought out the best of Macheso and his group before an adoring crowd. The modest sized stage at Murphy's place was able to support the entire crew but offered limited space for the dancers that gyrated, jumped, slued and performed gimmicks that left the cheering crowds crying for more. The highly anticipated Macheso's first tour of the United States seemed to be the peak of his world outreach considering his humble beginnings in Zimbabwe where he performed to audiences in farming communities. Macheso who was brought to the United States by Derrick Shonhiwa of
Takaday Productions, with the Dallas event organized by Clive Chinzou of Africa Rhythms.  Clive and Derrick are a pair that has fought all odds to get Macheso and The Charambas tour the US - both groups for the first time, this pair toiled with the tedious details of their trip, their stage preparations and welfare on their sojourn in the United States did not disappoint. The group belted out all their hits and the revelers that packed the venue sang along in sync. The two dancers showcased their Razor Wire dance to loud cheers. Macheso who has a rare talent to strumming the bass guitar while simultaneously dancing and churning out vocals clearly showed the audience why the title legend befits his contribution to the entertainment industry 
Franco - intrinsic dancing routine.He effortlessly played the bass guitar while it was held by another band member at a horizontal slant and even used his chin instead of fingers to pick up the cords. Some audience members got carried away such that they jumped onto the stage to dance along with the band members. The band members accommodated the concert goers that danced on the stage. While it might sound an exaggeration that a guitar can be made to talk and sing, Macheso's attempt to make the guitar sing was within reach, at least he proved that a guitar could be made to wail in the same manner a keyboard does. The outfit had guitars and drums with no congos, keyboards or horns. But still the music beamed from the tiny stage to make many dance for a four-hour stretch into the wee hours of Sunday. Many hardworking artistes can complete a two hour concert and Macheso's four-hour gig was a rare feat considering the physically demanding dance by his band. 
 
Roll Call - Body Parts ParticipateMacheso an affable man who was born in 1968 to Malawian parents is multilingual and can play the rhythm guitar with the same skill as he does the bass. He sang hits from Magariro, Simbaradzo, Zvakanaka Zvakadaro, Zvido Zvenyu and Ndezvashe. He also danced and he definitely offered the crowd more than what they had paid for. He offered his whole self and he proved to be a quintessential entertainer. Alick Macheso is soft-spoken and exhibits humility. His demeanor is friendly and lot of his fans easily approached him for photo ops. There is no doubt, circumstances allowing that Macheso and Mberikwazvo would love to treat their fans to another show in the nearby future. - Africa Rhythms
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The Charambas and Macheso rock Texas
Tuesday, 28 October 2008

LAST month the gospel legendary singer Pastor Charles Charamba who rose to stardom with his original compositions that weave social commentary and spiritual redemption made his debut tour in the United States of America with his wife and fellow singer Olivia.

Charamba in Dallas

"Machira Chete" an electrifying moment, Gospel Sungura or Museve taken to another level..(in pics...Mai Nyakudya, Mai and Baba Charamba - photos 1&2 by Beva Makaka) 

Fishers Of Men "Fishing" in Dallas 

Fishers Of Men Keyboard player Sidney Dzangare stacks the Motif 6s to get the desired sounds.

Bass Player: Elisha Shamhuyarira 
also backing
with vocals playing Hakuna Chombo (No Weapon)

Drummer: Ronald Mundhluli behind the elephant tasks.

Sekuru Clever Chitare (Rhythm) & Michael Anatori (Lead)

 

Rattletree played tradtional Marimba @ SMUAustin based Rattletree Marimba opened the show with a traditional feel to the gala. (photo by Rhonda Varsane, Goodnews Press)

 

 

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Macheso takes the States by storm
Thursday, 16 October 2008

BOSTON . http://www.macheso.com/ - Sungura king Alick Macheso and his Orchestra Mberikwazo, currently on tour of the United States, are set to take Atlanta by storm on Friday night.

Last Friday Macheso mesmerized a huge crowd in Washington DC, with a spirited performance that left many shouting for more. His performance in New Jersey on Saturday was even more lively. A concert in Boston on Sunday night drew Macheso’s first week in the States to an exciting close.

Macheso plays at Murphy's Place Dallas on Saturday 25 October. Advance Tickets available at Murphy's.

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Alick Macheso’s North American Tour
Thursday, 09 October 2008

ALICK MACHESO & Orchestra Mberikwazvo US Tour

The bestselling artiste and talented bass player Alick Macheso whose distinctive sungura  beat propelled him to stardom is destined to perform in the United States this fall. Macheso whose scintillating live performances and charismatic stage presence have rocked audiences of all stripes made his debut international tour when he performed in London at the Southern African Summer Sunsplash Festival in June 2002. Macheso plays at Murphy's Place Dallas on Saturday 25 October. 

Dziwaonline.com

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